Chimes Era #1.3 : the State of siege. (Procèss of Chimes Era #1.2 : the Seat in Judgment. (Assessment following the sacrifices of CE #1.1 : the Benching.))

OverSedimenting HyperT(extual)A(udio)V(isual) Proposition. 2024.

 EternalDrafting Version-U 05/12/2023.

ChimesEra#1.3, as an epilogizing venture, is the constant summary of the previous episodes.
Thereby:
-The Gestalt chimera is still waiting for its chaire/ \ʃɛʁ (→flesh/chair≈pulpit).
-Mickey Mutt, by face piece filtrate, has joined its ranks.
-Le chimist, thus dismissed, was hoisted to the catafalque.
-Paul Jacques Yves Guilbert finds himself in his calesson →underpants.

For this reinterpretation, and for the sake of diegetic perseverance, it will be important to remember that:
-A conclusive reinterpretation for the Gestalt cannot be done without fading to black.
-Any filtrate induces retentate.
-The catafalque can make skènè (→scene).
-We are not sitting in calesson (→calceus →calx →on foot).

Thus is promised the entreatic promenade of the author and the mythanalytic revenge of the testubers. "The show [which 'must go on'] is in the room".

 

ReaFliction Cycle (ᵲ):
B-Reinitialized 28/11/2020 @ HEK (Basel). Special thanks to Boris Magrini & the HEK team. ?
C-Peripetia#1 shot 01/21/2021 @ La Chaufferie @ HEAR (Strasbourg). Special thanks to the Narraction team, Oh Eun Lee & Antoine Lejolivet. ♥
E-Peripetia#2 shot 13/05/2022 @ La Parcheminerie (Rennes). Extra footages shot by Pierre Villemin. Special thanks to Simon Guiochet, Nathalie Georges, Blue Lévignat, Thifany Le Saout & L'OEil d'Oodaaq team. ♥
F-Peripetia#3 shot 09/11/2022 @ Friche la Belle de Mai  (Marseille). Extra footages shot by Meher Kafalian. Special thanks to Naïk M'Sili, Tiffanie Taveau, Samuel Bester & the Instants Videos team.♥
A-Resolution shot 03/06/2019 @ LaVallée (Bruxelles). Special thanks to Valentine Siboni & the Narration·s team. ♥
D-Conclusion shot 03/08/2021 @ L’Ancien Réservoir de Guilheméry (Toulouse). Special thanks to Simone Dompeyre, Antoniy Valchev, & the Traverse Vidéo team.♥

(Special thanks to Ana Ten/Knight of the postpostmodernism for embodying the collective invention.) ♥

 

As a reminde  Chimes Era #1.3 seats on the remains of Chimes Era #1.2 in which:

, & . The three chimes reasoned in the test benches. Le Chimist, an exegete-carillonneur percussionist, attempted the tuning of the tubes, filling them with his essays. He tried to extract a partition from the mixture, but ended up setting the death knell for their evaporation.

The arrival of the benches marked the end of the era of chimes. Behind their cries, the beatings revealed that the agitator was also ringing. Here comes the time without a tribune, that of lost benches, testubers and buttocks with adjoined foundations:

Here the time of the seat in judgment . 

< To summarize, this is the story of a piece / audience matchmaker who, by promoting the comfort of the audience at the expense of pieces and their authors, ends up reducing them to simple seats (→ benching →"mise au banc/ban", →"to put in bench/applause/banish") . In this chapter we see formulated, between the lines, a projection of this audience which goes through three reversed stages described by Marie-Madeleine Mervant-Roux: assistance (defined by touch / feeling / pathos in relation to space) , audience / listener (defined by hearing in relation to time) and viewer / spectator (defined by sight in relation to ἀλήθεια (aletheia)).

What produces this new entity Mickey Mutt  (cf. ) as a testuber (in connection with the test tube of chemistry → "éprouvette" → "éprouveur" → "éprouver" → "to feel/experience") to whom we come to give the seat in judgment (→"l'assise du propos"→"the seat of the discourse / the establishment of the discourse"), the making of the testuber's throne. >

Influenced by:
L'ASSISE DU THEATRE. Pour une étude du spectateur by Marie-Madeleine Mervant-Roux. CNRS (1998).
De proctologica melancholicum by Pier Mertzier. Editions de L’Irréel (2007).
MickeyMutt was inspired by Pierre Mercier in 2016.

XOsquelette - Prototype, Propuzzle & Prospect. (Clôture digestive du 06/06/2013) & Metatarsus Varus - “t” for two were produced by Le Fresnoy - Studio National des Arts Contemporains.

Chimes_Era#1.1 was shot in May/June 2016 in La Chaufferie at la HEAR Strasbourg.
Thanks to Francisco Ruiz de Infante for the invitation, Yiumsiri Vantanapindu, Clément Debras, Aliette Salama & Léo Hoffsaes and La Chaufferie’s team for the help, Cave for the dancing bodies. Special thanks to Antoine Lejolivet.
♥